Wednesday, December 13, 2006

The battle of Gaugamela re-enacted at Wichita State Dec. 11, 2006


Detail from the "Alexander Mosaic" from the House of the Faun, Pompeii (now: Museo Nazionale, Napoli). darius flees.

Detail from the "Alexander Mosaic" from the House of the Faun, Pompeii (now: Museo Nazionale, Napoli).: Alexadner attacks.

"Alexander went quickly up to Bucephalas, took hold of his bridle and turned him toward the sun.... He ran alongside the animal for a little way, calming him down by stroking him, and then when he saw he was full of spirit and courage ... with a little spring he vaulted safely onto his back." Philipp greats him with the words "My boy, you must find a kingdom bug enough for your ambitions. Macedonia is too small for you."
"ὦ παῖ“ φάναι, "ζήτει σεαυτῷ βασιλείαν ἴσην· Μακεδονία γάρ σ’ οὐ χωρεῖ." Plutarch, Alexander §6.


The pre-battle huddle.


"Wait no longer. Forward to the attack."


"Alexander, at the head of his own troops on the right wing, rode at a gallopp into th stream."





"Darius, in his war chariot, saw that he had been cut off, he incontinently fled. Indeed, he led the race for safety.

Sunday, December 10, 2006

Brief overview of Serapis

When the Greeks came to power in Egypt, they wanted a deity who could be worshipped by Greeks and Egyptians alike. The Greeks invented a deity who they said was equivalent to the popular bull deity, Apis; however, Serapis was associated with other deities as well, including Pluto, Osiris, and Dionysis[1]. The identity of Serapis wasn’t fixed, and while he took on some of the traits of these gods—including the one they had in common, which was an association with death—Pluto, Osiris, and Dionysis retained their own identities. Because Serapis was seen as a “savior god,"[2] he became popular among people of every class of society.[3]

[1] Serapis Under the Early Ptolemies, John E. Stambaugh.
[2] Serapis Under the Early Ptolemies, John E. Stambaugh, page 2.
[3] Serapis Under the Early Ptolemies, John E. Stambaugh, page 98.

Sunday, December 03, 2006

pothos.org Website Summary and Review

I. Alexander the Great
A. Alexander the Great
B. Birthday
C. Body & Height
D. Boyhood & Youth
E. Children
F. General Introduction
G. Internet Myths & Trivia
H. Passion
I. Pothos
J. Quotes
K. Timeline (brief)
L. Timeline (full)

II. Animals
A. Bucephals
B. Lions/Lion hunts

III. Art & Legends
A. Gordian Knot
B. Legends (birth)
C. Legends (death)
D. Legends (Gog & Magog)
E. Legends (Marco Polo)
F. Quotes
G. Seven Wonders

IV. Battles & Campaigns
A. Army
B. Battles (Major)
C. Battles (Minor)
D. First meeting with Darius
E. Hypaspists
F. Makran desert
G. Pezhetairoi, the Foot Companions
H. Wars (away)
I. Wars (home)

V. Books & Book Reviews
A. About Book Reviews
B. Alexander
C. Ancient Texts
D. Ancient World
E. Commentary
F. Diadochi
G. Fiction (Bad)
H. Fiction (Good)
I. Fiction (rest)
J. Macedonia
K. Non-English
L. Persia
M. Philip
N. Vergina
O. Warfare
P. Women
Q. Historiography
R. Pothos.org Top 10

VI. Death
A. Burial
B. Death
C. Death of Philip: Murder or Assassination?
D. Legends (Death)

VII. Geography & Culture
A. Astronomical Diaries
B. Hellenism--After Alexander
C. Makran Desert
D. Persian Empire
E. Route Map
F. Seven Wonders
G. Travel--Alexander's Footsteps
H. Travel--Siwa Oasis Diary

VIII. Main Characters
Aristotle
Barsine
Callisthenes
Cleitus the Black
Coenus
Craterus
Darius II
Death of Philip: Murder or Assassination?
Eumenes
Harpalus
Hephaestion
Leonnatus
Lysimachus
Nearchus
Olympias
Parmenion
Pausanius the Assassin
Perdiccas
Philip II
Philotas
Ptolemy
Seleucus
Sisygambis
Stateira

IX. Minor Characters
Alexander of Epirus
Alexander of Lyncestis
Aristander
Artabazus
Cleophis of Assacana
Drypetis, daughter of Darius
Erigyius
Kleitarchos
Laomedon
Oxyartes
Peucestas
Philip of Acarnania
Sons of Andromenes
Thalestris, the Amazon Queen

X. Movies
A. Alexander den store (1917)
B. Alexander the Great (1956)
C. New Movies
D. Sikander (1941)

XI. Religion
A. Divinity
B. Holy Koran

XII. Sex
A. Children
B. Hephaestion
C. Lovers
D. Sexuality


XIII. Showcase--New Books
A. A-Z Overview
B. Aengus Dewar
C. Andrew Chugg
D. G.A. Hauser
E. Jona Lendering
F. K.A. Solo
G. Karen Wehrstein
H. Maciej Milczanowski
I. Marcus Pailing
J. Scott Oden

XIV. Study
A. Astronomical Diaries
B. Historiography
C. Kleitarchos
D. Source Links
E. Studying Alexander
F. Timeline (brief)
G. Timeline (full)

Review:
As a whole, I enjoyed this website about Alexander the Great because it makes an extensive effort to list many different aspects of his life and influences. Additionally, it is an excellent website for students conducting research because of list of books and source links available. While the originator of the website, Thomas William-Powlett, does not have an extensive academic background, his collaborators make frequent historical references to sources such as Arrian, Plutarch, and Curtius. It also provides information for those who are just beginning to learn about Alexander the Great, i.e., basic information, as well de-bunked pop culture myths (Alexander's sexuality).

P. Oxy 1826--The Sesonchosis Romance

The Sesonchosis Romance denotes a particular text, known from papyrus fragments, which exploits legendary material to create a fictional narrative. The title was first applied to P. Oxy. 1826, a codex fragment dated to the late 3rd or early 4th century. Written in Demotic, the fragment was found in the ancient dumps of the city Oxyrhynchus, located roughly 150 miles south of Alexandria on the branch of the Nile that ends at the Fayum Oasis. The city flourished under its Hellenistic and Roman rulers. In the dumps were found thousands of papyrus scraps containing information on everyday life in the city--grocery lists, poetry, and other fictional writings, such as P. Oxy 1826.
The Sesonchosis Romance applies to the legendary conquests of Sesonchosis, the Egyptian pharaoh. This story combines the history of two pharaohs of the 12th dynasty (Senwosret I and Senwosret III) with additions from later rulers such as Ramses II, and ideals of kingship. It is an early example of the koenigsnovelle in that it praises the youthful Sesonchosis and provides divine justification for his rule, as is evident on the back of fragment 1826 in the last few lines when it mentions a god “assisting” Sesonchosis “into the country.”
The events of the Sesonchosis Romance and its themes of romance and intrigue (in later fragments) are significant because of their use in the Alexander Romance. In the story Alexander cites Sesonchosis as the ruler of the world and declares himself the "New Sesonchosis."

Alexander and the Silk Road

The Silk Road is an interconnected series of routes through Southern Asia connecting Chang'an (today's Xi'an), China, with Antioch, Asia Minor, as well as other points. It extends over 5,000 miles.
Exchanges of goods, services, and culture were significant not only for the development of the great civilizations of China, ancient Egypt, Mesopotamia, Persia, India and Rome but also helped to lay the foundations of the modern world.
The continental Silk Road diverges into northern and southern routes as it extends from the commercial centers of North China, the northern route passing through the Bulgar–Kypchak zone to Eastern Europe and the Crimean peninsula, and from there across the Black Sea, Marmara Sea and the Balkans to Venice; the southern route passing through Turkestan–Khorasan into Mesopotamia and Anatolia, and then through Antioch in Southern Anatolia into the Mediterranean Sea or through the Levant into Egypt and North Africa.
This region was taken over by Alexander the Great, who finally conquered the Iranian empire, and colonized the area. The first major step in opening the Silk Road between the East and the West came with the expansion of Alexander the Great deep into Central Asia, as far as Ferghana at the borders of the modern-day Xinjiang region of China, where he founded in 329 BC a Greek settlement in the city of Alexandria Eschate "Alexandria The Farthest", Khujand (also called Khozdent or Khojent), in the state of Tajikistan.
Although he only ruled the area until 325 B.C., the effect of the Greek invasion was quite considerable. The Greek language was brought to the area, and Greek mythology was introduced. The aesthetics of Greek sculpture were merged with the ideas developed from the Indian kingdoms, and a separate local school of art emerged. By the third century B.C., the area had already become a crossroads of Asia, where Persian, Indian and Greek ideas met. It is believed that the residents of the Hunza valley in the Karakorum are the direct descendents of the army of Alexander.
This crossroads region, covering the area to the south of the Hindu Kush and Karakorum ranges, now Pakistan and Afghanistan, was overrun by a number of different peoples. After the Greeks, the tribes from Palmyra, in Syria, and then Parthia, to the east of the Mediterranean, took over the region. These peoples were less sophisticated than the Greeks, and adopted the Greek language and coin system in this region, introducing their own influences in the fields of sculpture and art.

Wednesday, November 22, 2006

Amazons in Greek art, by Ruth Harries and Kate Page


(Source)


“In the picture, above Herakles (dressed in his customary lion-skin) attacks an Amazon (right), bringing her to her knees. Above: Detail from an Athenian black-figure clay vase, about 550 BC. Boston, Museum of Fine Arts 98.916. © Boston, Museum of Fine Arts, Licence Plate 11 UK 1007 108”
Source

The myth behind this piece: Herakles (a famous warrior depicted extensively in Greek art) had killed his own wife and children, and as punishment was required to perform twelve labors. The ninth labor required him to retrieve the belt of Andromache (alternatively called Hippolyte), queen of the Amazons. In keeping with ancient conventions, Andromache is depicted with white skin. Notice, however, that she wears men’s battle dress. Additionally, as in other depictions of Greek warriors fighting Amazons, Herakles is on the verge of triumph, while Andromache is on the verge of defeat.


Above middle: 'The Ephesus Amazons'. Drawing from John Boardman, Classical Sculpture Fig. 195. © John Boardman
(Source)


Marble statuette of an Amazon; Roman, preserved height 104 cm. A Roman version of a Greek original of the 5th century BC.

From the website:“The elder Pliny, the Roman encyclopaedist, tells the story of a competition in ancient Greece for a statue of the Amazon for the temple of Artemis at Ephesus. The artists involved (who included Phidias, Polyclitus, and Cresilas) had to choose the winner, and this proved to be the Amazon ‘which each artist had placed second to his own’, namely the one made by Polyclitus. The Ashmolean’s Amazon may well relate to such a project.”

Source: the Ashmolean

Many people have the misconception that Amazons cut off one breast, since the Greek word “amazon” (a--without; mazos--breast) means “breastless.” However, this was a Greek mistranslation of an Iranian word which means “warriors.”

Also, notice that Greek art did not always depict Amazons with only one breast. The statue above, for example, has two breasts.


(large detail of the vase below, from www.holycross.edu)


Black-figured amphora (wine-jar) signed by Exekias as potter and attributed to him as painter
Greek, about 540-530 BC
Made in Athens, Greece; found at Vulci (now in Lazio, Italy)
Achilles killing the Amazon Queen Penthesilea

“Penthesilea brought her Amazon warriors to help the Trojans defend their city, but was killed in combat with Achilles, the greatest of the Greek warriors. The scene on this vase shows Achilles looming above her as she sinks to the ground. Achilles's face is masked and protected by his helmet; Penthesilea's helmet is pushed back to expose her features and emphasize her vulnerability at this vital moment. Her spear passes harmlessly across Achilles's chest, while his pierces her throat and blood spurts out. According to a later version of the story, at this very moment the eyes of the two warriors met and they fell, too late, in love.“ (Source: the British Museum)

As with the earlier vase of Herakles fighting Andromache, the Greek hero is in a position of strength, whereas the Amazon is about to be defeated. Notice that Penthesilea’s skin is painted white and that she is wearing men’s battle dress.This amphora is an example of black-figure pottery (meaning that the background is red and the people--figures--are black). The red and black are colors that come from the process of firing the pot; however, the white would have been painted on after firing. Exekias is one of the most famous black-figure potters (another famous example of his work is Ajax and Achilles playing dice).


(Source)
An Amazon carrying an injured one from the battlefield.


(Source)
From the Web site: “This picture shows the earliest, largely accepted representation of Amazons. It dates back to 700 BC. The two figures on the right side are interpreted as Amazons, at least they are female warriors, because little circles on the chest indicate their breasts. They are armed with spear and shield and they wear a long patterned gown and a very broad girdle.Most probably it depicts the fight between Heracles and the Amazon Queen Hippolyte.”

Although the figures are dressed similarly in this piece, the figure holding the sword is probably Herakles and the figure whose hair is being pulled is probably Hippolyte (Andromache).


(Source)
The Abduction of Antiope
68,4 no.7 p.124 Attic Black-figured Cup. London E41.
"Antiope is dressed and equipped as an archer with trousers, a sleeved jacket, and a pointed cap. A quiver hangs by her left side; in her left hand she holds the bow. There is a wreath on her cap and we also note the ear-ring. She leans forward and appears to scan the horizon for help."
Dietrich von Bothmer. 1957. Amazons in Greek Art. Oxford: Clarendon Press.

Notice the careful execution of the details in this decoration.

See the Wikipedia article about Antiope for a brief summary of the various versions of the myth.


(Source)
Attic Red-Figure: Archaic and Later. Herakles and Amazons.
70,4a no10 p.132 Kantharos, Brussels A 718.
"Herakles is in the centre, stabbing an Amazon in the chest. To the right of Herakles an [Amazon] archer kneels beside a hoplite." [she is drawing her bow, aiming at Herakles]
Dietrich von Bothmer. 1957. Amazons in Greek Art. Oxford: Clarendon Press.

This is a later painting of Herakles and Andromache. However, the main element is the same; Herakles dominates Andromache.


(Source)
Attic Red-Figure: Archaic and Later. Herakles and Amazons.
70,5b no.18 p.132 Stamnos. Leningrad 807.
"Three Amazons are shown setting out. The first is an archer and carries a bow and a battle-axe; the second is equipped like a hoplite; the third is another archer. The archers wear chitons, corslets, and oriental pointed caps." [This figure is very unusual in style. The rendering of the legs is very lifelike. Note how short the bow is in the hand of the right-hand archer]
Dietrich von Bothmer. 1957. Amazons in Greek Art. Oxford: Clarendon Press.

These Amazons are shown wearing a mix of Greek and Persian clothing.


(Source)
Attic Red-Figure: Archaic and Later. Amazonomachies, without Herakles.
71,1 no22 p.143 Hydriai, the picture on the shoulder. New York 10.210.19.
"Here a nude Greek has just inflicted a second wound on the thigh of an Amazon who is falling backward half-supported by her bow. The Amazon wears a belted chiton and a pointed cap. We note a disk-shaped ear-ring in her left ear. Her eye shows that she is dying, much blood gushes forth from her wounds below the right breast and on the right thigh. With her right arm she seems to plead for mercy; the palm of her hand is turned up, and her mouth is open. She must have been kneeling on her left knee before she was wounded; now she has lost her balance and her right leg is stretched out. The artist has drawn her much taller than the Greek, but the discrepancy in scale is probably occasioned by the difficult foreshortening and novel pose."
Dietrich von Bothmer. 1957. Amazons in Greek Art. Oxford: Clarendon Press.

Defeating an Amazon was considered an act of strength and manliness, since Amazons were considered to be fantastic warriors. As is evidenced in this depiction, not only great heroes (e.g., Herakles and Achilles) could defeat Amazons; regular Greek soldiers could defeat them, too.


(Source)
Attic Red-Figure: Early Classic and Classic. The Big Battles.
77.2 no.12 p.162 Dinoi. London 99.7-21.5.
"Theseus, followed by Perithous and a companion, rushes up to Andromache who has fallen on her left knee and raises her right arm with the axe in a last effort at resistance. Blood pours from the wound in her right thigh. Behind her, Hippolyte and two other Amazons ride up to defend the fallen queen."
Dietrich von Bothmer. 1957. Amazons in Greek Art. Oxford: Clarendon Press.


(Source)
Attic Red-Figure: Early Classic and Classic: With Mounted Amazons
77,6 no.30 p.177 Squat lekythos. Boston 95.48.
"The group on the right is the familiar one of a mounted Amazon fighting two Greeks; here the Amazon wears not the oriental costume but chiton, cuirass and helmet. On the left a Greek is attacked by an Amazon."
Dietrich von Bothmer. 1957. Amazons in Greek Art. Oxford: Clarendon Press.


(Source)
Attic Red-Figure: Early Classic and Classic: Amazons by themselves.
86,4 no. 189 p. 206 Lekythoi. Canea 6, from Polyrrhenia.
"The Amazons by the Canea painter are all archers." "Amazon in oriental costume with bow."
Dietrich von Bothmer. 1957. Amazons in Greek Art. Oxford: Clarendon Press.

In many of the depictions we have shown above, the Amazons were dressed in Greek men’s battle gear. There are other pieces, though, that show them wearing Persian dress; the painting above is a excellent example of this.The Greeks had a taboo against depicting any Greek women in their art; depicting Amazons was a way to get around this taboo, especially if the Amazons were wearing men’s battle gear or clearly foreign clothing.

Web site summary

The campaigns of Alexander the Great - from John Popovic's Web site (http://1stmuse.com/frames/index.html)

I. The conquest of Syria and Phoenicia (332 B.C.E.)
A. Darius offered peace to Alexander through a letter, but Alexander wanted an unconditional surrender.
B. The siege of Tyre
1. The citizens of Tyre refused to surrender to Alexander.
2. The citizens of Tyre barricaded themselves into the city.
3. Alexander built a causeway from the mainland to the island on which Tyre was located.
4. Alexander ultimately defeated the Tyrians not on land, but in a naval battle.
C. Darius sent Alexander another letter offering him a large portion of the Persian empire and a ransom of 10,000 talents for the release of the Persian royal family. Alexander again refused.
D. Gaza and the rest of Syria and Palestine
1. It took Alexander two months to conquer Gaza.
2. Although Alexander's shoulder was wounded, he successfully conquered Gaza and the rest of Syria and Palestine.
II. The conquest of Egypt (332 B.C.E.)
A. In November 332, Alexander took over Egypt without problems.
B. In Memphis, Alexander was crowned with the double crown of Egypt and made a sacrifice to Apis.
C. Winter 332 - 331
1. Alexander reorganized the government of Egypt.
a. Egyptian governors were hired.
b. The Egyptian military was under Macedonian command.
c. He founded Alexandria at the Nile delta.
2. Alexander visited the oracle of Ammon at Siwa.
a. The oracle was well-known for providing answers to difficult questions.
b. Alexander thought it was fitting that he visit the oracle since his alleged ancestors Heracles and Perseus had also visited this oracle.
c. The oracle greeted Alexander as the son of Ammon, which was the traditional greeting to give to the pharaoh.
d. The oracle declared that Alexander was indeed the son of Ammon (or Zeus, Ammon's Greek equivalent).
III. The conquest of Mesopotamia (331 - 330 B.C.E.)
A. The Battle of Gaugamela
1. Gaugamela was the last major battle between the Persians and the Macedonians.
2. The battle happened on the plain of Gaugamela, between Ninevah and the village of Arbela.
3. Darius eluded capture during this battle.
B. Alexander in Babylon and Susa and on the Iranian plateau
1. The Babylonians called Alexander the King of Asia.
2. Mazaeus, one of Darius' generals and the person who surrendered Babylon to Alexander, was made satrap.
3. Alexander took most of the royal wealth which was stored in Susa.
4. Alexander forced the tribes living on the Iranian plateau into submission.
5. Alexander successfully crossed through the pass called the Persian Gates in the Zagros range.
IV. The end of Persian rule
A. Alexander in Persepolis
1. Alexander took the royal wealth stored in Persepolis, the Persian capitol.
2. Alexander burned the royal palace of Persepolis in revenge for the Persian sack of Athens.
B. Alexander wanted joint rule between the Persians and the Macedonians, although some of the Macedonians had misgivings about this idea.
C. Darius' death
1. Alexander and his troops chased Darius for 12 days.
2. Darius fled to Bactria; his cousin Bessus was the satrap of Bactria.
3. Bessus and his allies overthrew Darius; Bessus stabbed Darius and left him to die.
4. Bessus preferred that Darius be dead rather than imprisoned.
5. Alexander gave Darius an imperial funeral.
6. Alexander eventually pursued, captured, tortured and killed Bessus for his betrayal.
V. Central Asia
A. Alexander was able to become "Lord of Asia" without much resistance after Darius' death.
B. Alexander easily conquered the mountainous region in addition to Darius' mercenaries.
C. Alexander encountered trouble conquering western Iran.
D. Winter of 330 - 329
1. Alexander arrived at the Kabul valley.
2. Bessus was in Bactria gathering support for an insurrection.
3. Alexander had to crush the revolt, but he didn't go directly to Bactria. Instead, he went through Khawak pass.
a. The Macedonians were feeling unsatisfied by Alexander's leadership.
b. Alexander had begun to wear Persian dress, which was un-Hellenistic.
c. Parmenio was accused of being part of a plot to betray Alexander and was executed. His men were also disposed of, and men who were close to Alexander were promoted.
E. 328 B.C.E.
1. Alexander crossed the Hindu Kush into Bactria.
2. Alexander crossed the Oxus river into Sogdiana in pursuit of Bessus.
3. Alexander sent Ptolemy after Bessus.
4. In July Bessus was captured, tortured, and executed in the way Persians executed traitors.
5. Alexander marched to the Jaxartes, where he brought the Scythians under his rule.
6. In the autumn, Alexander and his troops were occupying Maracanda (modern Samarkand). At a feast, Alexander murdered Cleitus, his friend and a commander. This strengthened the Macedonians’ growing distrust of Alexander.
F. The Sogdian Rock – Spring of 327
1. Alexander was moving through Afghanistan toward India.
2. Oxyartes and his rebels were occupying the Sogdian Rock, which was supposedly impenetrable.
3. Oxyartes challenged Alexander to send “men with wings” to conquer the rock.
4. Alexander sent up 300 climbers at night, taking the Sogdians by surprise.
5. Oxyartes surrendered, and he and Alexander eventually became friends.
6. In a gesture of good will and reconciliation, Alexander and Oxyartes’ daughter Roxana were married.
G. Alexander’s attempts to impose the Persian custom of proskynesis on the Macedonians were unsuccessful.
1. All of Alexander’s followers, including Callistenes, refused to do it.
2. Several weeks later, Callistenes was accused of conspiring with some of the royal pages in Bactria and was executed.